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Goodbye Street GalleryIn few days, a whole year will have passed since the day I took over dA's Street Gallery as Street Community Volunteer.
A neglected gallery, full of misplaced images, but also with many worthy submissions.
I visited this galllery everyday, cleaning it (the 24h and 1month popular pages) and informing the photographers of the misplaced images  (every single one of them), what Street is all about.
At the same time, 3 days per week, I featured a worthy image as a Street Daily Deviation, taking in account your suggestions as well. The featured images were not necessarily the "best" of the featured deviants. My intention was not to feature "bests" but to draw the community's attention, to active Street photographers, both experienced and new to the genre, in order to boost their dedication to Street. I am content because a lot of times I succeeded.
During this year, a lot of people helped me with their suggestions and with working in Groups, promoting the genre and de
Street Photography Tutorial - IPART II
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY TUTORIAL - PART ONE
THE HUMAN SUBJECT
(article from photo4u.it - il portale italiano della fotografia translated and adapted to dA by ^myraincheck)
Let's close our eyes and imagine going out in the streets and looking for unusual things. What do we expect to find? People, first of all.
That's good, the HUMAN PRESENCE is a fundamental element of street photography.
If we want to use only this ingredient, we'll be able to realize a true street photo only if the person we capture will have something unusual or interesting or is doing something unusual or interesting. Otherwise we'll have a good portrait, an enviromental portrait, a wide portrait whatever, but not a street photo.
The Essence of "Street"PART V
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* ends with:
WHAT IS STREET PHOTOGRAPHY?
Trying to define a genre of photography like Street, it implies the consciousness that one definition will never be enough, or exhaustive, or able to cover the molteplicity of its possibilities and situations. Nevertheless let's try to comprehend the philosophy behind the passion for street photography.
Let's start stating that a street photo is not a  photography of streets and it is not necessarily a photo taken in a street. So what does 'street' mean? Street is whatever background or surrounding, not staged, not posed by the photgrapher. And street is whatever photography which captures, explores humanity, the human behaviour, the relationships between individuals and between individuals and their surroundings.
"The essence of street photography is the impulse to take candid pictures in the
A Visual Guide to Street PhotographyIt is my great pleasure to introduce you to a series of 5 articles about Street Photography made by the wonderful ^myraincheck and slightly edited by moi.
Part I
A VISUAL GUIDE TO STREET PHOTOGRAPHY
(the article is from photo4u.it - il portale italiano della fotografia translated and adapted to dA by ^myraincheck)
The iN-PUBLiC | Manifesto, one of the most representative sites about street photography in the world, states that “all the photographers featured there have been invited to show their work because they have the ability to see the unusual in the everyday life and to capture the moment.”
Yes but…
What is UNUSUAL? What does it mean IN THE EVERYDAY life? And what is the MO
52 Street tips from the masters                 
“If you can smell the street by looking at the photo, it’s a street photograph.” — Bruce Gilden
“Turn your attention to the four-legged population.” — Ying Tang
“Take a bus. Do weekly shopping. Pop into a public loo.” — Nils Jorgensen
“Document some evidence of human ingenuity that would otherwise go unnoticed. Do it without including any humans in the picture.” — Michael Wolf
“Get lost in a thicket of signs and structures.” — Wolfgang Zurborn
“Never ignore a cliché.” — Artem Zhitenev
“When you have to shoot: shoot! Don’t talk!” — Il Brutto.
“Make a picture containing The Good, The Bad and The Ugly.” — Jens Olof Lasthein
“On your knees please… take a picture fro
Street…without PeoplePART IV
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY…WITHOUT PEOPLE
First things first let's remember that street photography is not so much about the subjects as it is a style of photographing, a 'forma mentis', a way to think, see, capture images. A forma mentis that can be summed up in the ability of RE-INTERPRETING, RE-CONTEXTUALIZING, giving a different interpretation, placing in a different context, the reality around us, giving it an additional significant meaning.
Even if the classic structure of street photography is a meaningful interaction between human and surroundings, we can have street photos where the human element is not physically present. Sometimes it can be symbolized by other elements, sometimes it is completely absent. Let's show some examples:
SYMBOLIC HUMAN PRESENCE
The human element is not physically present, but t
Street Photography Tutorial - IIPART III
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY TUTORIAL - PART TWO
COMBINATION OF HUMANs+SURROUNDINGS
Photographing together human presence and surroundings, combining them in something interesting and unusual, we obtain the classic structure of a street photography.
But mind you, it is not enough taking a photo with people and surroundings to have a good street photo! Remember that we have to strike, surprise, trigger an emotional response.
And that we can do CONNECTING people and surroundings.

  
by Nils Jorgensen

   
by Nils Jorgensen

   
by Nick Turpin
PE: dA Street shooters share their tips1. What is the gear that deviant Street Photographers use?
2. What is the dream gear that they'd wish to have?
3. What is the best advice they could give to an inexperienced street shooter?
The answers are right below!
in the order they came into my inbox
*NunoCanha says:

1: 50/50 Nikon D90 / Sony Nex
2: Leica M9P + 35mm
3: Shoot. A lot. Be inside the action, to feel what´s going on with small focal lenght, or step back to realize a worthy context, but never be afraid to press the shutter. Never. You´re doing nothing wrong.
~kingmouf says:

1. I have a 5DmkII and an EOS300 (film). Both share the same 35mm f/2 lens. I use them almost equally.
2. I think the best camera is the one in your hand. I know it is a cliche but then again the problem most if the times is not at the camera but at the photographer. ;)
(now... for some inexplicable reason there came a guy and told me, "Just order wh
Friday night Reasons to meet (or not) a Streettog
A weekly selection amongst the images that were suggested as DDs 
or simply impressed me and I think they deserve more attention. 
Enjoy them, comment on them and remember to visit the photographers' galleries as well.
If you like what you see,  this article 
so it can reach as many deviants as possible.
10 reasons NOT to date a street photographer
by ^myraincheck
1. They don't have orgasms. They have 'decisive moments'.
2. If they could save just one thing from a fire they will be wavering between you and their camera. And if the camera in question is a Leica, then you are screwed.
3. You can forget romantic dates in quiet, secluded or isolated places.
4. You are never going to have a family album but tons of albums of photos of perfect strangers. Obviously they won't take a picture of you because 'you are not a stranger'.
5. Even when they SEEM to be taking a picture of you, they are ac
Ruth OrkinOrkin grew up in Hollywood where her mother was a silent-film actress and in 1939 she studied photojournalism. At the age of 10 she received her first camera, a 39 cent Univex, and two years later Orkin began to develop her photographs herself,  and when she was eighteen she made national headlines when she rode a bicycle from Los Angeles to New York for the 1939 World's Fair. Of course she photographed along the way.
In 1943 she moved to New York and began working as a nightclub photographer :eyes: and shot baby pictures by day to buy her first professional camera.
She later became a successful freelance photographer, traveling all over the world and contributing to Life, Look, Ladies' Home Journal and other periodicals.
Orkin is best known for her naturalistic urban portrayals of Europeans and New Yorkers in the '40s, '50s and '60s, and for a series of photos she took from her New York City apartment with a view of Central Park (A World Through My Window, 1978 and More Pictures
Friday night Street specials v12.1
A weekly selection amongst the images I liked, while browsing the Street Gallery
 and I think they deserve more attention. 
Enjoy them, comment on them and remember to visit the photographers' galleries as well.
If you like what you see,  this article 
so it can reach as many deviants as possible.







Have a nice weekend 
PE: Street Photography for experts

Defining Street Photography
by Dave Beckerman
Most types of photography can be easily defined by their subjects. A wedding photographer takes pictures of weddings. A portrait photographer poses someone and takes their picture. The nature photographer covers a wide area, but it is easy to categorize.
Street photography is difficult to define because it can encompass just about any subject.
If I were to ask you to name a few famous street photographers, you might pick, Garry Winnograd, Henri Cartier-Bresson, or maybe Robert Frank. But if I asked you to define street photography that would be more difficult. You might say that street photography is candid pictures of strangers on the street. That might be a good start, but it doesn't really
Street Photography for dummies
What do we need to shoot a Street picture?
1. A camera
Whatever kind of a camera is good. Either it is a ridiculously expensive rangefinder or an unbelievably cheap point and shoot compact. Either it shoots digital or it shoots film. Either it weighs a ton or it weighs few grams. ANY camera is fine as long as you have it with you.
2. A public place
This can be out in the streets or at the beach or inside a hotel's lounge or in a diner place or inside a supermarket or a mall or a school or whatever PUBLIC place. This public place must be visible in our picture. And things must be happening in this public place.
3. People
Exactly, people! We need people in candid situations. Definition of "candid" from Merriam-Webster's online dictionary: "subjects acting naturally or spontaneously without being posed" Definition of "candid" from Wikipedia: Candid photography is best described as un-
Friday night Specials v2.4
If you like what you see, this article
so it can reach as many deviants as possible.
A weekly selection amongst the images I liked,
while browsing the Street Gallery
and I think they deserve more attention.
Enjoy them, comment on them and remember
to visit the photographers' galleries as well.





Have a nice weekend
Street Photography for experts
 

Defining Street Photography
by Dave Beckerman
Most types of photography can be easily defined by their subjects. A wedding photographer takes pictures of weddings. A portrait photographer poses someone and takes their picture. The nature photographer covers a wide area, but it is easy to categorize.
Street photography is difficult to define because it can encompass just about any subject.
If I were to ask you to name a few famous street photographers, you might pick, Garry Winnograd, Henri Cartier-Bresson, or maybe Robert Frank. But if I asked you to define street photography – that would be more difficult. You might say that street photography is candid pictures of strangers on the street. That might be a good start, but it doesn’t really describe street photography.
To start with, street photography doesn’t need to be done on
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